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Tag: Museum of Contemporary Art

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LOUISE HEARMAN: AGAINST THE GRAIN

Friday, October 14th, 2016 Blog,

I think I surrendered obediently to the secret laws which led me to form, as best as I could, and following my dream, the things into which I have put my entire being.[1] Odilon Redon, To Myself Like Des Esseintes, the antihero of Huysmans’s cult novel of 1884, Against the Grain (À rebours), Louise Hearman […]

Sydney Morning Herald Column

Telling Tales

Friday, July 1st, 2016 Sydney Morning Herald Column,

At the 1986 Adelaide Festival I attended a couple of evenings with American actor, Spalding Gray, who sat on a bare stage and delivered monologues. It sounds like a recipe for boredom but Gray’s performances were spell-binding – a revelation as to the power of simple, unadulterated story-telling. In tribal cultures the role of story-telling […]

Sydney Morning Herald Column

Biennale of Sydney 2016

Wednesday, March 23rd, 2016 Sydney Morning Herald Column,

There’s a lot to like about the 20th Biennale of Sydney, but it isn’t necessarily the art. Curator Stephanie Rosenthal, born in Germany but employed by the Hayward Gallery in London, has proven herself to be one of the most committed of all Biennale directors. Previous incumbents have tended to fly into Australia for quick […]

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Biennale of Sydney: First Impressions

Wednesday, March 23rd, 2016 Blog,

If the previous Biennale of Sydney gave the impression that artists were selected almost at random, the latest incarnation of Australia’s premier international art exhibition sends out the contrary message. Director, Stephanie Rosenthal, has so many reasons for every part of this show that one is left reeling. The theme this year is The future […]

Sydney Morning Herald Column

Grayson Perry

Thursday, December 17th, 2015 Sydney Morning Herald Column,

“On the whole I make very common categories of cultural product,” says Grayson Perry, “clay vessels, textile wall hangings, framed prints, figurines.” There is, however, nothing ‘common’ about the subject matter of Perry’s work or about his public persona – unless we take the word in a pejorative sense: “Oh my God, Grayson is so […]

Sydney Morning Herald Column

Matthys Gerber

Friday, October 16th, 2015 Sydney Morning Herald Column,

One might imagine there is no need to explain why Matthys Gerber’s survey at the Museum of Contemporary Art is called Matthys Gerber, but curator Natasha Bullock tells us “it is in keeping with Gerber’s belief in the pre-eminence of the artist over art above all other considerations.” (Italics in the original) It’s not exactly […]

Sydney Morning Herald Column

Aleks Danko and Haines & Hinterding

Saturday, August 29th, 2015 Sydney Morning Herald Column,

There are many exhibitions that must have been fun for the artist but leave viewers in a state of mild perplexity. The Museum of Contemporary Art has two such shows at the moment – shows that can be broadly appreciated, but not loved. Energies, the survey by David Haines and Joyce Hinterding, is almost over, […]

Sydney Morning Herald Column

Light Show

Saturday, June 13th, 2015 Sydney Morning Herald Column,

Mention the Festival of Light in Sydney nowadays and most people will think of Vivid rather than the Reverend Fred Nile’s wowsers. This is only natural, as Sydney has always embraced hedonism more readily than morality. In seven years, Vivid – a festival devoted to “music, light and ideas” – has established a monumental presence. […]

Sydney Morning Herald Column

Chuck Close

Saturday, November 22nd, 2014 Sydney Morning Herald Column,

Chuck Close has always denied being a “photorealist”, even when he was making huge black-and-white heads rendered in painstaking detail. It’s a mark of our complacency as viewers that we tend to see anything rendered in a precise, recognisable manner as “realist.” Chuck Close: Prints, Process and Collaboration at the Museum of Contemporary Art is […]

Sydney Morning Herald Column

Annette Messager

Saturday, September 6th, 2014 Sydney Morning Herald Column,

Annette Messager was born in the French provinces to a family of atheists who took a particular pleasure in the local Catholic church. Her father favoured the architecture, while Annette liked the stained glass windows. This biographical tidbit takes on significance when one considers the nature of Messager’s work, which draws freely on the iconography […]