Chinese Art
Midnight Oil: The Hardest Line
Tuesday, June 18th, 2024 Chinese Art, Film Reviews,When a rock band enjoys a career of 45 years and sells more than 20 million albums, they probably qualify as legends. They may also be overdue for a documentary, an omission that has now been supplied by director, Paul Clarke, who has spent the past seven years making Midnight Oil: the Hardest Line, which […]
18th Biennale of Sydney
Saturday, July 14th, 2012 Aboriginal Art, Art Column, Art Essays, Australian Art, Chinese Art, International Art,One of the most striking images in the 18th Biennale of Sydney is that of Japanese artist Sachiko Abe, dressed in bridal white, sitting in a small brick building in Cockatoo Island, cutting paper. Visitors are asked to remain silent, so the only sound is the noise made by Abe’s scissors as she trims sheets […]
18th Biennale of Sydney
Saturday, July 7th, 2012 Aboriginal Art, Art Column, Art Essays, Australian Art, Chinese Art, International Art,“Between belief in Nature and belief in politics, one has to choose,” writes French sociologist, Bruno Latour, in the stand-out essay in this year’s Biennale catalogue. We have a perfect demonstration of this principle in the hysterical debate about a carbon price. While Nature is forever, politics is an exercise in short-term, strategic thinking that […]
Down the Rabbit Hole
Saturday, June 9th, 2012 Art Column, Art Essays, Chinese Art, International Art,Last year, according to The New York Times, 395 museums were built across China. As with most things in this vast, mysterious country, the statistics give only a superficial glimpse of the complexities involved. Firstly one might question the Chinese definition of “museum”, which may be a grandiose word for a lot of small-scale enterprises. […]
Brian Wallace
Saturday, January 14th, 2012 Art Column, Australian Art, Chinese Art,Over the past two decades Chinese art has made inroads into the Australian museum and gallery world, prompting Brian Wallace of Bejing’s Red Gate gallery, to put together a travelling exhibition for his native land. To welcome in the year of the Dragon, the City of Sydney will host Two Generations – 20 years of […]
Tokujin Yoshioka, Shen Shaomin & Chun Kwang-Young
Saturday, December 3rd, 2011 Art Column, Art Essays, Chinese Art, General Art Essays,There is an emerging trend in town: slipper art, and it has nothing to do with the new Speaker in Federal Parliament. At two venues this week the viewer is asked to slip a protective covering over his or her shoes, so as not to soil the art. This is slightly at odds with the […]
German idols
Saturday, November 5th, 2011 Art Column, Art Essays, Chinese Art, International Art,In Germany, Ai Weiwei is the new Joseph Beuys. I arrived at this conclusion in Berlin, after seeing an exhibition of film footage of Joseph Beuys in Japan, at the Hamburger Bahnhof; and a show of 220 photos by Ai Weiwei, at the Martin-Gropius Bau. I’ve been in Deutschland for a conference on the Chinese […]
Guanxi
Saturday, October 15th, 2011 Art Column, Art Essays, Chinese Art,Guanxi is a curious word. It is usually translated as “contacts”, but there is no single English-language term that captures all the connotations it has for a Chinese speaker. Guanxi refers to a special kind of relationship between people whereby one may always be counted on to help the other. Such relationships are long-term and […]
White Rabbit: Beyond the Frame
Saturday, October 8th, 2011 Art Column, Chinese Art, International Art,Back again is Ai Weiwei’s Oil spill (2007) – a series of shiny black porcelain discs that sit flat on the floor, mimicking drops of black gold. In typical fashion, Ai Weiwei takes a substance associated with toxic pollution and transforms it into an aesthetic delicacy. Such ironic turnarounds and dislocations are characteristic of his […]
Yang Fudong
Saturday, April 23rd, 2011 Art Column, Chinese Art, Film Reviews,Q: When is a film not a film? A: When it’s a work of contemporary art. Of all the current crop of Chinese artists who have become stars of the Biennale circuit, Yang Fudong (b.1971) is one of the most difficult to categorise. Having studied painting at the Academy of Art in Hangzhou, he has […]