SUBSCRIBE

Sydney Morning Herald Column

Sydney Morning Herald Column

The Blake Prize 2018

Thursday, May 31st, 2018 Sydney Morning Herald Column,

It’s been seven years since I last wrote about the Blake Prize, which seemed to have reached a point where it couldn’t get any worse. The good news is that it hasn’t gotten worse: it’s just as bad as it was seven years ago. When it was founded in 1951 the Blake Prize was intended […]

Sydney Morning Herald Column

The Field Revisited

Friday, May 25th, 2018 Sydney Morning Herald Column,

No exhibition of Australian art has been more mythologised than The Field. Indeed, its only historical competition might be the 9 by 5 Impression exhibition of 1889, in which artists such as Tom Roberts and Arthur Streeton scandalised Melbourne by calling themselves “Impressionists”. The Field proved equally controversial when it launched the new St.Kilda Road […]

Sydney Morning Herald Column

Head On Photo Festival 2018

Friday, May 18th, 2018 Sydney Morning Herald Column,

Head On is still not getting the attention it deserves. We make a big fuss about the Sydney Biennale, we go wild for Vivid, we swarm over the Sydney foreshores during Sculpture by the Sea, but after ten years the Head On Photo Festival survives on a fraction of the resources devoted to other events. […]

Sydney Morning Herald Column

The Archibald Prize 2018

Friday, May 11th, 2018 Sydney Morning Herald Column,

Well I got it completely wrong this year, although Vincent Namatjira got a “highly commended” as runner-up. Yvette Coppersmith’s Archibald Prize winner: Self-portrait after George Lambert wouldn’t have been in my top 20. After due consideration, it still wouldn’t be in my top 20. It seems to me like a stiff, mannered picture that bears […]

Sydney Morning Herald Column

Colony

Friday, May 4th, 2018 Sydney Morning Herald Column,

If I seem to be constantly writing in praise of the National Gallery of Victoria this isn’t because the grass is always greener interstate. It’s because the NGV has been attending so well to the fundamental business of what a gallery should be doing. Arguably the most important task is to provide a vibrant program […]

Sydney Morning Herald Column

Colours of Impressionism

Thursday, April 26th, 2018 Sydney Morning Herald Column,

Impressionism is probably the most popular art movement of all time – which would have been a surprise to those who participated in the first ‘Impressionist’ salon of 1874. The group was actually called Le Société anonyme des artistes, peintres, sculpteurs et graveurs, and included no fewer than 30 artists. The term “Impressionism” was drawn […]

Sydney Morning Herald Column

The Lady and the Unicorn

Friday, April 20th, 2018 Sydney Morning Herald Column,

Towards the end of Through the Looking Glass, Lewis Carroll stages a furious battle between a lion and a unicorn. The fight is based on an old nursery rhyme, which plays on the Royal coat of arms of the United Kingdom, in which the lion stands for England, the unicorn for Scotland. The lion and […]

Sydney Morning Herald Column

Wonderland

Thursday, April 12th, 2018 Sydney Morning Herald Column,

Alice’s Adventures in Wonderland is the very definition of a classic. On first publication in 1865 it did for children’s books what Don Quixote had done for romances of chivalry: making a mockery of their pompous, moralising tone; using wilful nonsense to expose the unwitting variety. The author, Charles Lutwidge Dodgson (1832-98) was an Oxford […]

Sydney Morning Herald Column

Art Basel Hong Kong 2018

Friday, April 6th, 2018 Sydney Morning Herald Column,

“Oh my God, is that Wolfgang Tillmans? I just saw Jeff Koons! Look! It’s Olafur Eliasson!” In what Art Basel Hong Kong quaintly refers to as its “6th Edition”, the mania for celebrity-spotting reached new heights. I wish I could say these artists are idolised because of the superb quality of their work, but – […]

Sydney Morning Herald Column

Sydney Biennale 2018 Part 2

Friday, March 30th, 2018 Sydney Morning Herald Column,

Is it only me, or is there something intrinsically boring about art projects that involve community participation? I know there is a strand of thought in contemporary art that loathes the very idea of the master artist or the individual genius, believing every human being should be encouraged to harness his or her innate creativity. […]