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Tag: French art

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Monet: Lasting Impressions

Thursday, June 20th, 2019 Blog,

“A catastrophe seemed imminent to me,” wrote Louis Leroy in a notorious exhibition review of April, 1874, “and it was reserved for M. Monet to contribute the last straw.” That last straw was a painting called Impression Sunrise, a grey, misty view of a harbour wth the silhouettes of two small boats in the foreground, […]

Sydney Morning Herald Column

Monet: Impression Sunrise

Friday, June 7th, 2019 Sydney Morning Herald Column,

Most museum exhibitions proceed like a piece of music steadily rising to a crescendo. Viewers trace the growth of an artist’s talent from humble beginnings to eventual triumph. Art movements begin with groups of poor but talented Bohemians scheming in cafés, and end by dominating the museums of the world. That’s pretty much the story […]

Sydney Morning Herald Column

Masters of Modern Art from the Hermitage

Thursday, November 8th, 2018 Sydney Morning Herald Column,

Masters of Modern Art from the Hermitage is the offspring of Icons of Modern Art: The Shchukin Collection, held at the Fondation Louis Vuitton in Paris at the end of 2016. Having seen that exhibition, which was one of the great experiences of decades spent in art museums, it’s hard to get too excited about […]

Sydney Morning Herald Column

Colours of Impressionism

Thursday, April 26th, 2018 Sydney Morning Herald Column,

Impressionism is probably the most popular art movement of all time – which would have been a surprise to those who participated in the first ‘Impressionist’ salon of 1874. The group was actually called Le Société anonyme des artistes, peintres, sculpteurs et graveurs, and included no fewer than 30 artists. The term “Impressionism” was drawn […]

Sydney Morning Herald Column

The Lady and the Unicorn

Friday, April 20th, 2018 Sydney Morning Herald Column,

Towards the end of Through the Looking Glass, Lewis Carroll stages a furious battle between a lion and a unicorn. The fight is based on an old nursery rhyme, which plays on the Royal coat of arms of the United Kingdom, in which the lion stands for England, the unicorn for Scotland. The lion and […]

Sydney Morning Herald Column

Monet's Garden

Saturday, May 18th, 2013 Sydney Morning Herald Column,

Approaching the National Gallery of Victoria for Monet’s Garden, I expected to find the moat festooned in water lilies, and enter through an archway covered in climbing roses. The reality was slightly different: the same old bluestone façade, with red and blue Mazdas parked by the doors. After so many years of sponsorship, I’m conditioned […]

Sydney Morning Herald Column

Monet preview

Saturday, May 4th, 2013 Sydney Morning Herald Column,

Paul Cézanne paid Claude Monet one of the most famous backhanded compliments in the history of art when he wrote: “Monet is just an eye, but good God, what an eye!”  (“Monet n’est qu’un oeil, mais bon Dieu, quel oeil!”) In his later years that eye failed the great Impressionist at a time when he […]

Art Essays

Radiance: The Neo-Impressionists

Saturday, January 19th, 2013 International Art, Sydney Morning Herald Column,

Georges Seurat is a member of that small, unfortunate group of artists who were destined for greatness but died prematurely. When Seurat was carried off by malignant diphtheria in 1891, at the age of 31, modern art lost one of its most remarkable innovators. It is a loss that bears comparison to that of Masaccio, […]

Sydney Morning Herald Column

Toulouse-Lautrec & the Moulin Rouge

Saturday, January 5th, 2013 Sydney Morning Herald Column,

“The more you see Toulouse-Lautrec the bigger he gets.” Jules Renard   Many will have formed a lasting impression of Henri de Toulouse-Lautrec (1864-1901), from John Huston’s Hollywood pot-boiler, Moulin Rouge (1952), in which José Ferrer spends the entire film waddling around on his knees, speaking in strings of bons mots. Watching this film again […]

Sydney Morning Herald Column

Atget

Saturday, September 15th, 2012 Sydney Morning Herald Column,

Eugène Atget (1857-1927) is often seen as a ‘primitive’ of the camera – photography’s equivalent to the Douanier Rousseau, but this is not a fair comparison. The Douanier was a simple soul, Atget was an equally lonely figure but also a sophisticated, skillful exponent of an art form still struggling for recognition. Although he never […]