Tag: indigenous art
Richard Bell: You Can Go Now
Tuesday, October 19th, 2021 Sydney Morning Herald Column,There was a time when every contemporary artist claimed their work was “subversive”, as if a boring painting or video might bring down global capitalism. Paradoxically, this feat was to be accomplished by selling works to museums and wealthy collectors for high prices, enabling the rebellious artist to enjoy all the benefits of a system […]
Indigenous Art: Where are we going?
Friday, June 18th, 2021 Journals,“Aboriginal artists say that it is difficult to find any Aboriginal art that is devoid of spiritual meaning. Art is their culture, their work, their worship, their history. A painting is a chronicle of their country, a map of myths, a memoir of the great spirit ancestors of the Dreamtime. And their paintings are inextricably […]
Archibald Prize 2020: A Trilogy
Tuesday, October 6th, 2020 Sydney Morning Herald Column,The Archibald Prize 2020: A First Look Scomo is out, but Albo is in. And so is Jacinda Adern. If the Art Gallery of NSW were not a steadfastly apolitical institution, one might imagine there is some comment intended in the selection of finalists for the 2020 Archibald Prize. In olden days a portrait […]
Endeavour Voyage
Tuesday, September 29th, 2020 Sydney Morning Herald Column,In the Bicentenary celebrations of 1970 Captain Cook was hailed as the discoverer of Australia. At primary school we received a special booklet telling us about the great navigator and his achievements. There were commemorative coins, badges and postage stamps. Every form of sporting competition had its dedication to Cook – from surf life-saving to […]
Can Indigenous be International?
Thursday, April 2nd, 2020 Sydney Morning Herald Column,This year sees the first ever Biennale of Sydney with an exclusively indigenous theme. It’s not the only large exhibition to have taken this approach – the Havana Biennial has been devoted to ‘the developing world’ since its inception in 1984 – but it’s probably the most high-profile. It’s an irony that such a globalised […]
Biennale of Sydney 2020. Part 2
Thursday, March 26th, 2020 Sydney Morning Herald Column,Another week, another avalanche of statistics about infections and fatalities. As I write, the Biennale of Sydney, which has made heroic efforts to remain open, has just announced it will be switching to a digital platform. This is a poor substitute for the first-hand experience of works of art but it’s better than a total […]
Biennale of Sydney 2020. Part 1
Wednesday, March 18th, 2020 Sydney Morning Herald Column,Every morning in Sydney we wake to news of cancellations and closures because of the rapidly spreading coronavirus. By the time this column appears there may be few major (or minor) venues that remain open, but – following that perennial advice about keeping a cool head in a crisis – I’m going to proceed as […]
Wansolwara: One Salt Water
Saturday, February 29th, 2020 Sydney Morning Herald Column,Contemporary art’s great wave has taken its time to engulf the Pacific. The voyages of Captain Cook and other explorers may have opened up the region to European influence and the depredations of colonialism but the post-colonial era has seen a resurgence of indigenous expressions. Traditional forms and new means have combined to produce a […]
Perth Festival 2020: The Art
Thursday, February 20th, 2020 Sydney Morning Herald Column,Sydney and Melbourne may consider themselves the nation’s cultural powerhouses but when it comes to the annual festivals Perth now has a greater commitment to the visual arts than any other city. In the years I’ve been attending the Perth Festival it’s never disappointed. First-time director, Iain Grandage, a composer, has put together an exceptional […]
Sydney Contemporary Art Fair 2019
Thursday, September 12th, 2019 Sydney Morning Herald Column,Ask any art dealer and they’ll tell you the market has gone flat, as collectors brace themselves for a Trump-led recession. Ordinarily this should put a cloud over an event such as the Sydney Contemporary Art Fair, now in its sixth iteration, but the atmosphere and sentiment is absurdly up-beat. When I visited Carriageworks last […]