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Tag: Museum of Contemporary Art

Sydney Morning Herald Column

Michael Armitage: The Promised Land

Thursday, July 4th, 2019 Sydney Morning Herald Column,

Perhaps the most impressive aspect of Michael Armitage as both an artist and a person is his immunity to cynicism. This is no mean feat in a world dominated by political immorality and self-interest in which voters seem to have lost the ability to tell right from wrong. Among artists the vogue is to produce […]

Sydney Morning Herald Column

The National 2019: New Australian Art

Thursday, April 25th, 2019 Sydney Morning Herald Column,

In its second “edition”, The National: New Australian Art,  is just as hard to love as its predecessor of 2017. A collaboration between the Art Gallery of NSW, the Museum of Contemporary Art and Carriageworks, the show is intended as an overview of the best and the brightest work being produced in Australia today. It’s […]

Sydney Morning Herald Column

Janet Laurence: After Nature

Thursday, March 21st, 2019 Sydney Morning Herald Column,

“What need has nature of thought, of care?” asked Confucius in the 5thC. BCE. “Plenty” is the answer he’d receive today, as we struggle with the effects of global warming, deforrestation, salination, loss of species and habitat. In the so-called ‘Anthropocene’ era nature needs all the help it can get. Having worked so dilgently to […]

Sydney Morning Herald Column

David Goldblatt: Photographs 1948-2018

Friday, November 23rd, 2018 Sydney Morning Herald Column,

“I was never interested in making propaganda for anybody,” said David Goldblatt, “and didn’t allow my photos to be used that way.” It’s an important point because even Goldblatt’s admirers tend to see him as a political photographer who drew global attention to the injustices of Apartheid. As this landmark retrospective at the Museum of […]

Sydney Morning Herald Column

Sun Xun

Friday, September 7th, 2018 Sydney Morning Herald Column,

It may be a legacy of those heroic efforts Chairman Mao demanded at the time of the Great Leap Forward, or perhaps it’s mainly down to pressure of competition, but the Chinese art scene has the most stupendous work ethic. Go to any exhibition at the White Rabbit Gallery and there will always be one […]

Sydney Morning Herald Column

John Mawurndjul: I Am the Old and the New

Friday, July 27th, 2018 Sydney Morning Herald Column,

This year’s best exhibition title is: John Mawurndjul: I Am the Old and the New. A landmark retrospective at the Museum of Contemporary Art, the show demonstrates the paradox of bark painting: as one of the oldest forms of artistic expression and something completely new. This was inconceivable to the organisers of the Cologne Art […]

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Sun Xun: Shapeshifter

Friday, July 13th, 2018 Blog,

“Whenever I find people putting a tag on my work I try to prove it untrue,” says Sun Xun. “I take pride in the fact that no-one can catch me. I will change the medium of my work or the style of my work. I’ll aim to be different every time, so that nobody can […]

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John Mawurndjul: Bark Maestro

Friday, June 22nd, 2018 Blog,

Here’s an art trivia question: “Who was the first Australian artist to be given a retrospective at two major European museums?” Answer: John Mawurndjul of western Arnhem Land, who in 2005-06 had his work shown at the Museum Tinguely in Basel, and the Sprengel Museum in Hannover. If you don’t remember seeing the exhibition when […]

Sydney Morning Herald Column

Pipilotti Rist: Sip My Ocean

Friday, December 8th, 2017 Sydney Morning Herald Column,

“I will always be grateful to popular culture,” Pipilotti Rist told an interviewer in 2001. As a recent video clip by Beyoncé shows, popular culture should also be grateful to her. Pipilotti Rist: Sip my Ocean, at the Museum of Contemporary Art reveals the many and various ways this remarkable Swiss multi-media artist embraces popular […]

Sydney Morning Herald Column

Hilarie Mais

Saturday, September 30th, 2017 Sydney Morning Herald Column,

One could hardly imagine a greater contrast between exhibitions than the current offerings at the Museum of Contemporary Art. On level two viewers can sample the shapeless paintings of Jenny Watson, structured only by virtue of the artist’s whims. On the entrance level there is a single large gallery devoted to the work of Hilarie […]