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Tag: sculpture

Sydney Morning Herald Column

Sculpture By the Sea 2019

Friday, November 1st, 2019 Sydney Morning Herald Column,

Proof arrived this week that climate change is real and urgent. The standard beginning of Sculpture by the Sea (SXS) sees visitors plodding around the coastal trail between Bondi and Tamarama in the pouring rain, but the first day of this year’s show was a scorcher. When the magical rain-bringing powers of this event are […]

Sydney Morning Herald Column

Alexander Calder: Radical Inventor

Thursday, May 30th, 2019 Sydney Morning Herald Column,

“Playful” is the word on everyone’s lips as they go around the National Gallery of Victoria’s Alexander Calder survey. Yet for Sandy Rower, the artist’s grandson, who manages the Calder Foundation in New York, the term is completely taboo. Rower argues that to imagine Calder (1898-1976) was “playful” is to completely misjudge his character. Based […]

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Sandy Rower, Calder’s grandson

Thursday, April 11th, 2019 Blog,

Sculpture just sat around waiting to be admired until Alexander Calder (1898-1976) came up with the idea of the mobile– a set of forms suspended in mid-air that move gently as viewers walk past. On the eve of the first-ever Australian exhibition of this revolutionary artist’s work at the National Gallery of Victoria, I visited […]

Sydney Morning Herald Column

Sculpture by the Sea 2018

Friday, November 2nd, 2018 Sydney Morning Herald Column,

This weekend is the last chance to catch Sculpture by the Sea, which has become one of the annual rituals of life in Sydney. Every October or November we trek dutifully from Bondi to Tamarama (and usually back again), with the devotion of pilgrims visiting a holy shrine with a full range of relics on […]

Sydney Morning Herald Column

Riyoji Ikeda & Daniel Buren

Friday, July 13th, 2018 Sydney Morning Herald Column,

Artists are forever striving to show us the world in a new light but not many can claim to be “probing the fundamental structure of the universe.” This is the domain of science and, more specifically, of CERN – the European Organisation for Nuclear Research, located on the border of France and Switzerland. In 2014-15, […]

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Harrie Fasher: The Last Charge

Friday, February 16th, 2018 Blog,

How many artists can look back on their careers and identify an ‘I have arrived’ moment? For Picasso that moment came in 1907 with Les Demoiselles d’Avignon, for Sidney Nolan, it was the first Ned Kelly series of 1946-47. Damien Hirst exhibited his dead shark in formaldehyde in 1991, the following year Jeff Koons showed […]

Sydney Morning Herald Column

Hyper Real

Thursday, January 25th, 2018 Sydney Morning Herald Column,

Hyper Real at the National Gallery of Australia is one of those exhibitions that must have seemed like a great idea at the time. Realism may appear to be the most obvious approach to making art, but it has been the exception rather than the rule throughout different cultures and epochs. The Seated Scribe of […]

Sydney Morning Herald Column

Sculpture by the Sea 2017

Friday, October 27th, 2017 Sydney Morning Herald Column,

Sculpture by the Sea is 21 years old and everyone is invited to the party. From the moment the show opened last week the walk from Bondi to Tamarama was crowded with sightseers, school groups, and tourists speaking a confusion of languages worthy of the Tower of Babel. Cameras and mobile phones were clicking relentlessly. […]

Sydney Morning Herald Column

Hilarie Mais

Saturday, September 30th, 2017 Sydney Morning Herald Column,

One could hardly imagine a greater contrast between exhibitions than the current offerings at the Museum of Contemporary Art. On level two viewers can sample the shapeless paintings of Jenny Watson, structured only by virtue of the artist’s whims. On the entrance level there is a single large gallery devoted to the work of Hilarie […]

Sydney Morning Herald Column

Bronwyn Oliver

Friday, January 6th, 2017 Sydney Morning Herald Column,

All artists are ultimately judged not by their biographies and personalities, but by what they leave behind. It doesn’t matter what sins they might have committed, or what trails of heartbreak and devastation they left in their wake. We might deplore Gauguin’s narcissism and perversity, but it doesn’t mean we think less of his paintings. […]