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Tag: White Rabbit Gallery

Sydney Morning Herald Column

White Rabbit: The Sleeper Awakes

Friday, June 8th, 2018 Sydney Morning Herald Column,

H.G.Wells published his novel, The Sleeper Awakes, in 1910. The Russian uprising of 1905 had been put down, and the Revolution of 1917 was but a rumble on the horizon. It’s the story of a sleeper who wakes 200 years into the future – in 2100 to be precise – to find a world ruled […]

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Xu Zhen

Friday, December 8th, 2017 Blog,

In 2009 Xu Zhen decided he would “set aside his identity as an individual artist” and become a corporate entity. For the next four years, MadeIn Company (as in “Made in China”) would produce a dazzling variety of work for international museums and galleries. In 2013, its booming success encouraged the Company to release its […]

Sydney Morning Herald Column

White Rabbit: Ritual Spirit

Friday, October 6th, 2017 Sydney Morning Herald Column,

Last week I was in China meeting artists from each end of the contemporary art spectrum. In Suzhou I saw a breathtaking show of brush-and-ink painting by Li Huayi (b.1948) an artist who has divided his life between China and San Francisco. In Shanghai I visited Xu Zhen (b.1977), one of the most successful artists […]

Sydney Morning Herald Column

White Rabbit: The Dark Matters

Saturday, April 29th, 2017 Sydney Morning Herald Column,

Contemporary culture puts a premium on instant gratification but ancient Chinese thinkers found the greatest value in the contemplation of eternal things. This was brought home to me by Tang Nannan’s Dao-inspired, wide-screen video, Billenium Waves (2015) at the White Rabbit Gallery. It’s nothing more than a four-minute close-up of waves lapping under a dark […]

Sydney Morning Herald Column

White Rabbit: Vile Bodies

Friday, November 11th, 2016 Sydney Morning Herald Column,

Vile Bodies is a catchy title but there are very few points of comparison between Evelyn Waugh’s novel about the party-going lifestyles of young Londoners in the 1920s, and the current exhibition at the White Rabbit Gallery. In a Chinese context the word “party” takes on an entirely different connotation, and unless you’re on the […]

Sydney Morning Herald Column

White Rabbit: Heavy Artillery & Cang Xin

Friday, May 20th, 2016 Sydney Morning Herald Column,

There has never been a centralised, authoritarian form of government that encourages diversity. This is why alarm bells should start ringing when our own leaders want to keep centralising power – amalgamating local councils under the leadership of unelected administrators; putting a town’s art gallery, museum and theatre under the jurisdiction of a single “cultural […]

Sydney Morning Herald Column

White Rabbit: Paradi$e Bitch

Friday, October 23rd, 2015 Sydney Morning Herald Column,

Every new show at White Rabbit is supposedly “the best yet”. How could it be otherwise? No art museum, public or private, likes to take a backward step. This time, however, I’m inclined to agree. There’s something very complete and confident about the exhibition, Paradi$e Bitch. In a display of mostly new acquisitions, we get […]

Sydney Morning Herald Column

White Rabbit: State of Play

Saturday, June 20th, 2015 Sydney Morning Herald Column,

Certain nations are not renowned for their playfulness. Nicht wahr? Yet this is not the case with the Chinese who found out many years ago the only way to make life bearable is to laugh about it. The Chinese sense of humour is robust and dark. It may have been this way from time immemorial, […]

Sydney Morning Herald Column

White Rabbit: Commune

Saturday, November 1st, 2014 Sydney Morning Herald Column,

In the words of the Chinese philosopher, Mencius, “we survive in adversity and perish in ease and comfort.” This thought may be universally applicable but it is especially relevant to China today, as the horrors of the 20th century recede into the mists. It has been almost 40 years since the end of the Cultural […]

Sydney Morning Herald Column

White Rabbit: Reformation & ACAF: Degeneration

Saturday, March 22nd, 2014 Sydney Morning Herald Column,

As the Biennale of Sydney opens, having severed ties with its founding sponsor, Transfield, it’s appropriate that the White Rabbit Gallery has launched a new exhibition called Reformation. From its beginnings, five years ago, the Nielsen family’s private museum of contemporary Chinese Art has presented a striking alternative to the big public art institutions. It’s […]