Australian Art
Photography & Place & An Edwardian Summer
Saturday, April 2nd, 2011 Art Column, Australian Art,In 1975 the International Museum of Photography in Rochester, New York, hosted the exhibition: New Topographics: Photographs of a Man-Altered Landscape. It is still talked about as one of the most influential shows of the modern era, with an index of its significance being that second-hand copies of the original catalogue now change hands for […]
Decade of the Rabbit
Saturday, March 26th, 2011 Art Column, Australian Art, Chinese Art,As a second Art Month winds towards a conclusion, it’s still not clear that this initiative is winning new audiences for the visual arts. For 2010’s first-ever Art Month the program was even more packed, but the season that followed was a mortifying experience for most of the commercial galleries. It seems that all the […]
Pride and Passion
Saturday, March 19th, 2011 Australian Art,Photographic Portraits of Fairfield by Danny Huynh Multiculturalism isn’t folk dancing, it’s the stoning of adulterers. Anthony Daniels. ‘Multiculturalism’ is one of the most contested terms in our modern liberal democracy. For some commentators it represents a sentimental dream of folk dances, national costumes and ethnic cuisine. Others see it as a mask for religious […]
Wendy Sharpe
Saturday, March 12th, 2011 Art Column, Australian Art,Delacroix is reputed to have quipped that if an artist could not draw a man who had jumped from a fourth storey window before he hit the ground, he could never go in for “the big stuff”. Wendy Sharpe, who once painted a large-scale copy of Delacroix’s Death of Sardanapalus, would be up to the […]
Erased / The Primacy of Drawing
Saturday, March 5th, 2011 Art Column, Australian Art,Since its re-establishment as a fully independent institution, the National Art School has distinguished itself from its rivals by putting an exceptional emphasis on drawing. Even if a student is specialising in photography or ceramics, drawing remains a fundamental part of the course. The reasoning is simple: nobody ever suffered from being asked to draw. […]
Paul Hopmeier
Tuesday, March 1st, 2011 Australian Art,“When we have said that sculpture is not sculptural, not an object, not a game, demonstration, machine, architecture or theatre – what is it? It is a figuration with a presence, a thing of modern lineage, learned about always from previous sculpture, and the idea so passed on to anyone who can get it.” Sidney […]
Jim Anderson / Phillip Juster
Saturday, February 26th, 2011 Art Column, Australian Art,“I have tried too in my time to be a philosopher,” said Dr. Johnson to his biographer, Boswell, “but I don’t know how, cheerfulness was always breaking in.” Seeing the exhibition, Lampoon: An Art Historical Trajectory 1970-2010, I thought these lines were oddly appropriate for Jim Anderson. In a retrospective at Sydney University’s Tin Sheds […]
Anne Wallace / Fiona McMonagle / Sophie Cape
Saturday, February 19th, 2011 Art Column, Australian Art,As floods follow droughts, the art dealers are hoping a new year will bring clients rushing back through their doors. The previous twelve months were so quiet and visitation so poor, that 2011 simply has to be better. This may be an optimistic view, but only an optimist would ever open a commercial gallery. The […]
Jeff Carter
Saturday, February 12th, 2011 Art Column, Australian Art,Ideally we expect a steely detachment from our arts professionals, but Barry Pearce, the retiring Curator of Australian Art at the Art Gallery of NSW, recently admitted that he couldn’t be objective about the works of Justin O’Brien. At the State Library last week I had the same feeling about the late Jeff Carter, one […]
Monanism
Saturday, February 5th, 2011 Art Column, Australian Art,Until about twelve months ago Tasmanian millionaire, David Walsh was the most mysterious presence in Australian art. He was the invisible man, much talked about but rarely seen. All this has changed with the launch of his long-awaited Museum of Old and New Art. The phantom has materialised in the form of a middle-aged pub […]