Art Column
India Art Fair 2020
Friday, February 7th, 2020 Art Column,Seen one art fair, seen ‘em all? Not when it’s the India Art Fair in New Delhi. Like everything else on the subcontinent the premier commercial art event is very different in character to the fairs one sees in Europe or America, or even Hong Kong. This is largely because of its proudly provincial stance. […]
Hugh Ramsay
Friday, January 31st, 2020 Art Column,“While it is undeniably a temptation to ask what might have been had Ramsay lived longer, the same is seldom asked of Keats,” writes curator, Deborah Hart, in the excellent catalogue that accompanies the Hugh Ramsay retrospective at the National Gallery of Australia. “Instead,” she continues, “let us contemplate and engage in the richness of […]
Matisse & Picasso
Friday, January 10th, 2020 Art Column,Two boxers circling each other in the ring: a favourite image used to describe the relationship between Henri Matisse and Pablo Picasso. One wonders if it inspired those notorious promotional photos of Andy Warhol and Jean-Michel Basquiat as boxers in the 1980s. Indeed, it says a great deal about the evolution of the art market […]
Water
Tuesday, January 7th, 2020 Art Column,As Australia burns it seems almost callous to call an exhibition Water. When this show was being planned the curators at Brisbane’s Gallery of Modern Art could hardly know it would coincide with one of the worst bushfire seasons of all time. They were more likely motivated by the drought that has dragged on since […]
Robert Klippel: Assembled
Tuesday, December 31st, 2019 Art Column,It’s hard to believe it’s been 18 years since Bob Klippel died, and 17 years since his definitive retrospective at the Art Gallery of NSW. At the time it was commonplace to hear Klippel (1920-2001) described as “Australia’s greatest sculptor” – a title that generated a good deal of grumbling and dissent among his peers. […]
Keith Haring Jean-Michel Basquiat: Crossing Lines
Thursday, December 19th, 2019 Art Column,Some artists are shooting stars, others get their names carved into the annals of art history. The trick is to distinguish one from the other. Disgusted by the rampant commercialism of the New York art scene of the 1980s, Robert Hughes wrote a mock-epic poem, The SoHoiad, in which included throwaway references to “Keith Boring” […]
Singapore Biennale 2019
Thursday, December 12th, 2019 Art Column,Irony is not a concept one associates with Singapore but when the theme of the Biennale is: “Every step in the right direction” it implies a sense of conformity that would have delighted Lee Kuan Yew. Needless to say this is entirely contrary to what Artistic Director, Patrick Flores, had in mind. The subtitle is […]
Jon Molvig: Maverick
Friday, December 6th, 2019 Art Column,If art were like rugby league Margaret Olley and Jon Molvig would have been NSW State-of-Origin stars. Instead they will always be associated with Queensland where they spent a significant part of ther lives. This year’s Olley retrospective at Brisbane’s Gallery of Modern Art drew massive crowds. Jon Molvig: Maverick, at the Queensland Art Gallery, […]
Mike Parr: The Eternal Opening
Friday, November 29th, 2019 Art Column,Mike Parr is an artist who is prepared to suffer for his art and make everyone else suffer as well. Spending hours at Carriageworks last week watching Parr put himself through a series of unpleasant, protracted tortures, I had plenty of opportunity to reflect on the experience. “You’re the only one who’s watched the whole […]
Japan Supernatural
Friday, November 22nd, 2019 Art Column,Directors’ forewords in exhibition catalogues are usually perfunctory affairs but there was one line in Michael Brand’s comments in the Japan Supernatural volume that caught my eye. It was surprising to find the Art Gallery of NSW director thanking Louise Neri of Gagosian Gallery, New York, for accompanying him on a first visit to Takashi Murakami’s […]