Art Column
Nusra Latif Qureshi & Adam Chang
Thursday, September 5th, 2019 Art Column,Before moving to Melbourne in 2001 at the age of 27, Nusra Latif Quereshi was trained as musaviripainter in her birthplace, Lahore. The term refers to a type of Islamic and Indian miniature painting that requires a high degree of skill and patience. Before moving to Australia in 1997, aged 37, Adam Chang studied painting […]
Basquiat’s Defacement: The Untold Story
Wednesday, August 28th, 2019 Art Column,It’s a sign of the times when the Solomon R. Guggenheim Museum in New York, one of the standard bearers for modern art, hosts an exhibition exposing the brutality of the city’s police force. In the age of Trump the United States has become a radically divided nation where issues such as refugees, racism and […]
An Idea Needing to be Made: Contemporary Ceramics
Thursday, August 22nd, 2019 Art Column,No definition of ‘contemporary art’ is acceptable to everyone. Is it simply the art being made today, or is it something else? The chronological definition holds scant appeal because artists would like to believe their work has a special quality that sets them apart from the amateurs and the traditionalists. With all the charm of […]
Barbara McKay & Hadyn Wilson
Friday, August 9th, 2019 Art Column,In May the National Gallery of Australia launched a campaign called Know My Name, which aims to raise awareness of the work of Australian women artists. Call me a cynic, but when a leading institution takes up the cause of a supposedly neglected minority, one may assume the battle is already over. Historically-speaking there’s no […]
Charlie Sheard: Absolute Abstraction
Saturday, August 3rd, 2019 Art Column,Absolute Abstraction is an uncompromising title for an uncompromising show at the Manly Art Gallery & Museum. So far removed is this event from the laidback norms of Australian painting that it would surely read better in German: Absolute Abstraktion. That hard ‘k’ makes all the difference. Charlie Sheard (b.1960) always knew he wanted to be […]
Shaun Gladwell: Pacific Undertow
Friday, July 26th, 2019 Art Column,We all have our blind spots and Shaun Gladwell (b.1972) is one of mine. For almost two decades I’ve watched people getting excited about his slow-motion videos of a figure on a skateboard, on a BMX bike, on a motorbike, on a surfboard, on a train… As someone who has never had the slightest desire […]
Tracey Moffatt & Kartika Kain
Thursday, July 18th, 2019 Art Column,On a rare week when I was able to get back to the commercial galleries there were a few tempting propositions. Chief among them, Peter Godwin’s Mask, Music and Studio at Defiance at Mary Place (until 25 July) – a really tough collection of still lifes that push the boundaries of the genre, picking up […]
Indonesia: Contemporary Worlds
Thursday, July 11th, 2019 Art Column,When the Reformasi era began in 1998 Indonesian art burst out like a tightly-coiled spring released from its bonds. It wasn’t just artists that rejoiced in their newfound freedom – the entire population was now able to imagine itself as a citizenry of the world rather than subjects of Suharto’s corrupt, oppressive regime. Matters would grow […]
Margaret Olley: A Generous Life ( + Quilty)
Thursday, July 4th, 2019 Art Column,On a Saturday morning in Brisbane one doesn’t expect to find a long queue extending from the entrance of the Gallery of Modern Art. It was the sort of queue that forms when people are waiting to buy tickets for rock concerts or be first into the Boxing Day sales. The goal this time was […]
Michael Armitage: The Promised Land
Thursday, July 4th, 2019 Art Column,Perhaps the most impressive aspect of Michael Armitage as both an artist and a person is his immunity to cynicism. This is no mean feat in a world dominated by political immorality and self-interest in which voters seem to have lost the ability to tell right from wrong. Among artists the vogue is to produce […]