Art Column
The 60th Blake Prize Exhibition
Saturday, October 1st, 2011 Art Column, Australian Art,In recent years I have cheerfully avoided the Blake Prize and might have done so again in its 60th anniversary year, had not Rachael Kohn from Radio National asked me to comment on the show. The reason why I generally avoid the Blake is not because I’m irreligious – which I freely admit – but […]
The Steins Collect
Saturday, September 24th, 2011 Art Column, International Art,“There are two geniuses in art today,” Gertrude Stein told Picasso, “you in painting, and I in literature.” Whatever posterity has made of Gertrude Stein’s literary efforts, her self-confidence has rarely been surpassed. For the most part, her cryptic, repetitive prose style ensured that her books found few readers. The outstanding exception was The Autobiography […]
Abstraction
Saturday, September 17th, 2011 Art Column, Australian Art, International Art,Among the unsolicited art emails that appear in my mail-box every week, one recent posting came from the Martos Gallery in New York, who were holding an exhibition called We Regret to Inform You There is Currently No Space or Place for Abstract Painting. The image that came with the email showed this sentence written […]
Fred Williams
Saturday, September 10th, 2011 Art Column, Australian Art,When the previous retrospective of an artist’s work contained no fewer than 417 pieces, it is inevitable that a new exhibition of about 120 pictures will be known as the ‘smaller’ show. That earlier Fred Williams’s mega-retrospective was held at the National Gallery of Australia in 1987, but I still have a vivid recollection of […]
The Mad Square
Saturday, September 3rd, 2011 Art Column, International Art, Uncategorized,It happens from time to time that I fail to distinguish a cabaret from a crematorium – Joseph Roth From its traumatic birth, at the end of World War One, the Weimar Republic was an unstable experiment. The historian, Eric Hobsbawm charts its rise and fall in an introductory essay for the catalogue of The […]
Vienna: Art & Design
Wednesday, August 31st, 2011 Art Column, International Art,In that period known as the Belle Époque, from the end of the nineteenth century to the outbreak of the First World War, Europe went through a prodigious burst of creativity. Modernity had arrived in full force, and no centre, with the obvious exception of Paris, was more dynamic than Vienna. Both cities were melting […]
Din Q. Lê: Erasure, Cairns Indigenous Art Fair 2011
Saturday, August 27th, 2011 Aboriginal Art, Art Column, Australian Art,It was astonishing to learn that in a recent opinion poll Australians rated border protection as a more important issue than health, education, transport or housing. This is one of those statistical miracles that testify to our growing sense of social paranoia and the power of political scare campaigns. The facts are well known but […]
David Aspden
Friday, August 26th, 2011 Art Column, Australian Art,Like Tom Roberts before him, David Aspden (1935-2005) was born in rural England and arrived in Australia around the age of fifteen. This is a time of life when the biggest part of one’s adult personality is already formed. Roberts, who grew up in the age of Empire, was never quite sure if he was […]
Saatchi Gallery in Adelaide: British Art Now
Tuesday, August 16th, 2011 Art Column, International Art,Ever since Sensation hit the headlines in 1997, contemporary British Art has been synonymous with scandal. When the show appeared at the Royal Academy in London, the catalyst was Marcus Harvey’s huge portrait of the murderess, Myra Hindley, made from hundreds of children’s handprints. In Brooklyn, two years later, the flashpoint was Chris Ofili’s The […]
Edmund Capon & his legacy
Wednesday, August 3rd, 2011 Art Column, Australian Art,This won’t be the first or last time that someone declares Edmund Capon a hard act to follow. In his thirty-one years as director of the Art Gallery of NSW, Capon has taken a provincial, down-at-heel institution and turned it into a Grade-A showcase for Australian and international art. Yet he leaves at time when […]