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Tag: indigenous art

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Kim McKay

Friday, March 11th, 2016 Blog,

Nobody seems to have told Kim McKay that the casting for the new Wonder Woman movie is over. In less than two years at the helm of the Australian Museum she has built a new entrance for $4 million, completely rehung the galleries devoted to natural history and indigenous Australia, dropped entrance charges for children, […]

Art Column

Encounters

Thursday, February 11th, 2016 Art Column,

‘Civilisation’ is a concept that has changed beyond recognition over the past century. To the pioneering ethnographers of the Victorian era, tribal cultures were merely stages on the way to the civilised state. Viewed as backward, impoverished and superstitious, it was accepted that such communities would wither and die as they fell under the spell […]

Art Column

Right Here Now

Friday, January 15th, 2016 Art Column,

Regional galleries: the crisis that never ends. A few weeks ago I was invited to Canberra by the Museum of Democracy at Old Parliament House to view a show called Right Here Now: A Powerful Regional Voice in our Democracy. This event, which has been put together by freelance curators, Holly Williams, Ivan Muñiz Reed […]

Art Column

8th Asia Pacific Triennial of Contemporary Art

Friday, November 27th, 2015 Art Column,

If a week is a long time in politics, three years is an eternity. At the opening of the 7th Asia Pacific Triennial in 2012, the Queensland Art Gallery was trying to forge a relationship with a new Premier who didn’t turn up for the launch; and an Arts Minister who admitted she’d never been […]

Art Column

Wiradjuri Ngurambanggu & Jonathan Jones

Friday, November 6th, 2015 Art Column,

This weekend is the last opportunity to see Sculpture By the Sea. I can’t justify a full-scale review at this late stage but in its 19th year the event’s popularity shows no sign of waning. When I walked from Bondi to Tamarama one afternoon there was the usual hubbub of foreign languages, the relentless clicking […]

Art Essays

Din Q. Lê: Erasure, Cairns Indigenous Art Fair 2011

Saturday, August 27th, 2011 Aboriginal Art, Art Column, Australian Art,

It was astonishing to learn that in a recent opinion poll Australians rated border protection as a more important issue than health, education, transport or housing. This is one of those statistical miracles that testify to our growing sense of social paranoia and the power of political scare campaigns. The facts are well known but […]

Art Column

Laverty 2, Newcastle Region Art Gallery

Saturday, May 28th, 2011 Art Column, Australian Art,

All the talk this week has been about the Kaldor collection. This high-profile donation has prompted a massive operation on the belly of the Art Gallery of NSW, with architect, Andrew Andersens, playing a familiar role as the leading cosmetic surgeon of Australian museums. The makeover has transformed a dingy storage area into an elegant, […]

Art Essays

Tommy Watson & the politics of the indigenous art market

Friday, January 1st, 2010 Aboriginal Art, Australian Art,

Yannima Tommy Watson is said to have painted his first picture in 2001, in the community of Irrunytju, twelve kilometers south-west of the tri-border, where South Australia meets Western Australia and the Northern Territory. The white man’s borders don’t mean much to the inhabitants of this remote settlement, also known as Wingellina, but it is […]

Art Essays

Gunybi Ganambarr

Tuesday, September 1st, 2009 Aboriginal Art, Australian Art,

In many people’s minds there could be no art-form less open to change than bark painting. It is one of the world’s oldest living forms of artistic expression, probably dating as far back as those rock paintings done 40,000 years ago. Yet bark painting is also one of the abiding paradoxes of contemporary art, for […]

Art Essays

Emily Kame Kngwarreye in Osaka

Friday, February 1st, 2008 Australian Art,

“Why is it,” asks Margo Neale, “that they call Emily the impossible modernist?’” The term assumes that an elderly Aboriginal woman who spent virtually her entire life in the central desert region, had no chance of becoming acquainted with the great icons of modern art. The underlying idea is that modernism was the invention of […]