SUBSCRIBE

Tag: National Gallery of Australia

Sydney Morning Herald Column

Defying Empire

Wednesday, August 9th, 2017 Sydney Morning Herald Column,

During the Howard years we were constantly hearing about the Culture Wars – a term borrowed from the United States, pertaining to the battle between conservative and liberal values. In Australia the conflict became fixated on whether this continent had been taken by force from its original inhabitants, and what reparations were due. It was […]

Sydney Morning Herald Column

Versailles

Friday, February 17th, 2017 Sydney Morning Herald Column,

In Roberto Rossellini’s film of 1966, The Taking of Power by Louis XIV, there is a scene in which the King appears in an outrageous red outfit, all frills and flounces, designed to his own specifications. He explains that with this clownish costume he is setting a dress code to keep his nobles poor, and […]

Sydney Morning Herald Column

Tom Roberts

Thursday, December 10th, 2015 Sydney Morning Herald Column,

After a winter or two of discontent the National Gallery of Australia is once again open for business. It’s not that one hasn’t been able to visit this renowned institution, it’s just that nobody seemed to be doing so. With a scandal over looted Indian art, and a James Turrell show that ran for no […]

Blog

What Betty Knew

Saturday, April 11th, 2015 Blog,

Betty Churcher (1931-2015) knew that if you wanted the best loans for an international exhibition you had to get the museum directors of the world to go along with the journey. This required an initial charm offensive followed by a persuasive argument about the nature of the show you were proposing. It couldn’t be a […]

Sydney Morning Herald Column

James Turrell: A Retrospective

Saturday, February 7th, 2015 Sydney Morning Herald Column,

Light is the crucial element for almost every great painter, from Caravaggio to Turner to Monet. Manipulating paint on canvas to convincingly reproduce the effects of sunshine or darkness is a skill that separates the master from the amateur. In Australian art one thinks of the blaze of light in Streeton’s early paintings, or the […]

Sydney Morning Herald Column

Lee Lee-nam & Robert Motherwell

Saturday, September 13th, 2014 Sydney Morning Herald Column,

French art historian, Daniel Arasse, hopes an audience might be able to stand in front of one masterpiece for at least five minutes. It doesn’t sound a big ask, but spend time in a gallery and watch how long people linger in front of even the most famous works of art. Five minutes would be […]

Sydney Morning Herald Column

Arthur Boyd: An Active Witness

Saturday, June 28th, 2014 Sydney Morning Herald Column,

Arthur Boyd (1920-99) was one of Australian art’s leading painters and one of its greatest mysteries. In the preface to her comprehensive biography, published in 2007, Darleen Bungey quotes Boyd’s youngest daughter, Polly, who calls her father “an enigma, probably one of the most secret people on earth.” This also acts as a disclaimer for […]

Sydney Morning Herald Column

Gold and the Incas

Saturday, January 18th, 2014 Sydney Morning Herald Column,

It may be the stuff of popular culture but whenever I think of the Incas, Aztecs or Mayans the first images that spring to mind are from Mel Gibson’s Apocalypto (2006). This drama of native American life in the days before the Spanish conquest may be one of the most brutal and disturbing movies ever […]

Art Essays

2013: The Best & Worst of the Visual Arts

Monday, January 6th, 2014 Art Essays, Blog,

My best art experience of the year happened on the other side of the planet, in a retrospective celebrating the 150th anniversary of the birth of Edvard Munch. The show, divided between the National Gallery and the Munch Museum in Olso, revealed an unrelenting intensity of vision. It featured the most complete collection of paintings […]

Blog

Fiona Hall for Venice

Thursday, December 5th, 2013 Blog,

For more than 20 years Fiona Hall has been the obvious, dead-set, undeniable first choice to represent Australia at the Venice Biennale. It is a testimony to the acumen of our arts bureaucracy that in 2015 she will become the first artist to occupy a newly-built pavilion. Any other country might have rushed her into […]