Art Column
Modern Woman
Saturday, April 21st, 2012 Art Column, International Art,Rather like its subject, Modern Woman is one of those exhibitions that must be approached with no fixed expectations, for it has the capacity to instill both disappointment and delight. Any event that includes names such as Degas, Bonnard, Renoir, Manet, Pissarro, Millet, Rodin, Vuillard and Toulouse-Lautrec, would seem to have ‘blockbuster’ written all over […]
Thomas Demand, Gonkar Gyatso
Saturday, April 14th, 2012 Art Column, Australian Art, International Art,There have been 24 previous Kaldor Public Art Projects in Sydney, but never anything so cool and oblique as Thomas Demand’s The Dailies 2012. The work is not installed in a gallery, but in the Commercial Travellers’ Association Club, in the MLC Centre, just off Martin Place. The unconventional venue is an essential part of […]
New MCA
Saturday, April 7th, 2012 Art Column, Australian Art, International Art,A new Museum of Contemporary Art has been a long time coming. This weekend the public can take a first look and see if the wait has been worthwhile. My own verdict, after an intensive preview, is that it is a qualified success. Some would argue we have been waiting ever since John Wardell Power’s […]
Archibald Prize 2012
Saturday, March 31st, 2012 Art Column, Art Essays, Australian Art,At that dreaded time of year when the Archibald Prize rolls around, the Trustees of the Art Gallery of NSW strap on their armour and prepare to be criticised, condemned, lampooned and humiliated. Admittedly they often bring this fate on themselves by their choice of a show or a winner. The only difference this time […]
Mike Parr, Denise Green, Art Month
Saturday, March 24th, 2012 Art Column, Art Essays, Australian Art,Three weeks in, Art Month keeps rolling. The wine is still being sipped, the eager crowds scramble from one gallery to the next; the chatter is relentless. There’s always something else to say about Art, even if each new pronouncement tends to contradict the previous one. The unresolved issue hanging over this collective love-in for […]
William Kentridge: Five Themes & A Universal Archive (Parts 7-23)
Saturday, March 17th, 2012 Art Column, Art Essays, International Art,“Thinking against oneself,” was a phrase used by the German philosopher, Theodor W. Adorno, whose late work was filled with melancholy reflections on the Holocaust. He was referring to the Nazis, who clung to a set of beliefs that allowed them to divide humanity up into a master race and a disposable remainder. This is […]
Parallel Collisions: The 2012 Adelaide Biennial
Saturday, March 10th, 2012 Aboriginal Art, Art Column, Art Essays, Australian Art, General Art Essays, International Art,“We love language,” confessed the curators of Parallel Collisions: the 12th Adelaide Biennial. This may not sound controversial – for the purposes of communication it’s very useful. It was only as I read through the boxed, brick-heavy catalogue for this exhibition that I began to feel Natasha Bullock and Alexie Glass-Kantor may love language not […]
Russell Drysdale: The Drawings
Saturday, March 3rd, 2012 Art Column, Art Essays, Australian Art,When Lou Klepac tells us that Russell Drysdale “was always reluctant to get on with painting or even drawing,” it is the merest understatement. Of all the Australian artists who have made a lasting contribution to the national culture, Drysdale was the least driven by either ambition or compulsion. This year is the hundredth anniversary […]
Love Lace
Saturday, February 25th, 2012 Art Column, Art Essays, Australian Art, International Art,Over the past few years the Powerhouse Museum has attracted plenty of critics, but turn up on a Saturday and the place is full of people. Does this mean the criticisms are baseless – the mere bleating of snobs and elitists? Well no, actually. Since its grand opening in 1988, the building has always been […]
Fred Sandback; Wim Delvoye; Abstract Canvas; Philip King
Saturday, February 18th, 2012 Art Column, Art Essays, Australian Art, General Art Essays, International Art,Over the years Andrew Jensen has edged his way north, starting in Christchurch, moving to Wellington, on to Auckland, and last year crossing national lines and arriving in Sydney. What makes the Jensen Gallery unusual is that the exhibition program consists of 70-80 per cent international art – the kind of art we normally only […]